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Performing “Sefiros”
Mark off Monday on your calendar, Cincinnatians. On February 16 at 8 p.m., Ellen Ruth Harrison’s art-song offering, Sefiros (the score of which appears in our current issue), will be performed in the...
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Why We Like It: “The Radical” by Brock Clarke
Our new assistant editor, Don Peteroy, has some definite ideas about fiction. Author of Wally (Burrow Press, 2012), an epistolary travel novella about an unstable protagonist who drives from...
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Extra! Extra! Read All About It!
According to W. C. Williams, “You can’t get the news from poetry.” But you can from our blog! Here’s our latest. Poetry Daily is featuring a poem from our new issue today. Dan Bellm’s “Twilight” (11.2)...
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Why We Like It: “Drawn In” by Martha Collins
Like most of the students in our eclectic PhD program, CR volunteer James Ellenberger has a “life-I-left-behind” story. Some of these pre-ivory-tower tales involve spotlit stages and mosh pits, the...
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Why We Like It: Reading Susan Wheatley’s “The Recording Angel” with Wim...
Rochelle—aka The Angel of—Hurt Volunteer Rochelle Hurt, who will be coming on staff next year as one of CR’s assistant editors, once went by a different name. After college, drawn by the bright lights,...
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Special Fiction Feature: Tom Paine’s “It Was Just Swimming”
We’re doing something unusual with this feature—running a piece from our pages (in this case a story in our current issue, “It Was Just Swimming” by Tom Paine) in its entirety on our blog. We hope to...
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Where the Heart Is: Davis, Kimbrell, Miller, and Vang
Sara Watson: Since my MFA years at Chatham University, a program grounded in themes of nature and travel writing, I’ve developed a particular interest in poetry of place. So much of my own work looks...
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Vampires, the Interwebs, and the Voice of God: Sam Taylor on “#GodIs (2.0)”
Issue 11.2 begins with a raucous, sprawling, peripatetic feast of a poem that posits a contemporary definition of the Almighty: an omnipotent androgyne, both hilarious and terrifying, who “Says...
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